| New Theatre Gains Functionality And Saves Money With RSS |
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| Wednesday, 18 November 2009 22:31 | |||
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Every installer dreams of a blank canvas, without the requirement to incorporate legacy equipment in a new system design. Just such a ground-up design+build proposition greeted Stage Electrics in Gillingham, Kent, where the technical specification for the Performance Pavilion could be based on an all-digital infrastructure. “From the very beginning, MidKent College was able to make meaningful economies,” explains Darren Beckley, business development manager at Stage Electrics. “The whole building could be wired with a CAT5 infrastructure, which carries audio, lighting, video and data, which considerably reduced their cabling costs. The choice of the compact RSS M-400 audio mixing console, which comes with its own digital multicore system and stageboxes, has bestowed a huge amount of functionality while giving them infinite choice in where to position their control equipment.” The Performance Pavilion will house audiences of 300, can be set up with and without seats, and has flexible staging which will accommodate any sort of production. As well as receiving shows and hosting college productions that will range from fashion shows and drama to rock concerts, the theatre may be rented out commercially. Students will also use the facilities on the college’s technical theatre course. “The portability of the M-400 and the stageboxes is very important,” continues Beckley. “Although the primary control position is on a gantry system at the back of the house, they now have many options because the system is infinitely portable: they can even take it on the road with them if they put out a touring show.” Stage Electrics has paired the RSS control technology with an active RCF TT front-of-house loudspeaker and stage monitor system, run from the M-400’s return lines using REAC (Roland EtherNet Audio Communication). “The college set us quite a challenge for our first event,” recalls Darren Beckley. “We had six live bands, some of which brought their own sound engineers, with just 30-minute changeovers. The M-400 did everything we needed it to do, and in fact, I was surprised at how much functionality it offers. We were able to pre-programme set-ups in the desk, and the engineers were able to get straight into it despite only a very short introduction. Since completing this installation, the M-400 has gone up in my estimation, and that event proved to me that the console has total credibility among professional users once they get in front of one.”
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