| grandMA on The Eurovision Song Contest 2009 |
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| Monday, 22 June 2009 19:42 | |||
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One grandMA full-size plus another one as backup were networked via fibre optic cable with HP2626 switches and 14 MA NSPs. The MA NSPs were installed at the FOH position, and at the two main dimmer cities. From there the DMX signal was distributed to the fixtures. This grandMA also controlled one Catalyst media server feeding the decorative elements. A second system with one grandMA full-size plus backup and one MA NSP was connected to additional media servers for further video screens – the main video elements were handled by a Virtuoso. The stage was designed by New York-based set designer John Casey and was based around the theme of “contemporary Russian avant-garde”. Casey created a theatrical design for the contest that incorporated Russian avant-garde art into a contemporary setting, almost entirely made up of different types of LED screens. Furthermore, large sections of the stage could move, including the circular central portion of curved LED screens, which allowed each song to have a different feel. Ola Melzig was the Production Manager and Matthias Rau was the Technical Production Manager for PROCON. Assistant Production Manager was Tobias Åberg. Operators were Andy Voller, Ben Cracknell, Ian Reith and Timo Kauristo. Richard Gorrod and Dave Hallet were the gaffers. System techs were Dennis Drewen and Johannes Wahl. Frank Karpinski was the Lighting Crew Chief for PROCON. PROCON Event Engineering delivered lighting, rigging, video and sound. The host broadcaster was Channel One.
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