| Compulite Vector Dominates Saturday Night TV |
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| Wednesday, 14 December 2005 20:09 | |||||
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X-Factor goes out live every Saturday night from Fountain Studios in Wembley. Lighting Director Dave Davey, moving light operators Bill Peachment and Russell Grubiak chose Compulite Vector Blue and Vector Green consoles to control not only the moving lights, but also the LED fixtures and video content plus some of the house dimmers (also Compulite!). Peachment comments: ‘X-Factor is a big live show with over 500 cues on my console alone. The Vector has taken everything we have thrown at it and been a joy to use throughout the show.’ The X-Factor rig consists of a Vector Green with four full DMX streams controlling 28 x Vari*lite VL5 arc, 34 x Vari*lite VL6c, 25 x Vari*lite VL5, 2 x Clay Paky Golden Scan 3, 32 x Martin MAC 2000, 3 x Vari*lite VL1000TS and 50 x dimmers. The Vector Blue controls 1 x Pixelmad system for the Versatubes on the ‘X‘ over the audience, 1 x Pixelmad system for the Soft-LED curtains around the back of the stage, 1 x Catalyst system with 3 outputs for the LED screens either side and at the rear of the stage and the LED floor, 120 x Pulsar Chroma strips around the stage, 30 x James Thomas Pixelines on the ‘X’ over the stage and another 100 Pixelines around the stage all run from the Vectors internal LED matrix software.
The whole rig is controlled via Ethernet through two Compulite E-Mix boxes, making it very easy to re-plug when we move from the studio floor for rehearsals to the Gallery for the live shows. I use 6 universes of DMX to run everything including a Catalyst and the dimmers for the VL 1000’s. The complete rig consists of: 28 x Vari*lite VL2500, 20 x High End Studio Spot, 24 x High End Studio Color, 3 x Clay Paky Stage Zoom, 28 x Clay Paky Stage Color 300, 18 x Vari*lite VL1000, 6 layers of Catalyst, approximately 350 Pulsar Chroma strips, 12 x Pulsar Chroma cubes and one MDG Atmosphere. Millionaire Manor is the new Saturday night entertainment show incorporating the National Lottery draws. Set in a Victorian country house, families play for the right to live the opulent millionaire lifestyle for a week. The lighting is a mix of traditional light entertainment and careful, sympathetic illumination to show the aspirational lifestyle that is on offer.
One interesting feature of note is the Barco MiPix wall. Not set in the far distance as is so often the case, but a few feet upstage of the action. Fed by a Catalyst media server, the graphics don't overpower, as the wall is integrated into (and behind) translucent set elements. The action spills out from the main hall into the rest of the house, while the National Lottery Draw is set in the Basement, where more LED luminaires keep things at a sensible temperature, along with providing a rich colour palette. Lighting Director is Will Charles with moving light operators Andy Dobbs on a Compulite Vector Green and Oliver Lifely on a Hog 2.
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