| Mixer Insert List |
|
| Saturday, 07 May 2005 21:13 | |||
|
Information on the configuration of desk inserts on most common desks. Incredibly useful for a touring show or even just for general referance when buying or hiring mixing desks. Written by : Michael "Bink" Knowles - http://www.binkster.net/ No Inserts: A&H I-con Series DL1000, DP1000 (1999) A&H (AHB) 42 Series 8-4-2 A&H (AHB) 42 Series 16-4-2 A&H (AHB) 42 Series 24-4-2 Altec Interface INT-8R, -8P, 16P, 24P, 32P, 40P (~1990) Ashly LX-308B Behringer Eurorack MX1604A Behringer Eurorack MX1804X Behringer Eurorack MX2004A Behringer Eurorack MX802A Behringer Eurorack MXB1002 Behringer Eurorack UB802 Behringer Eurorack UB1002 Behringer Eurorack UB1202 Behringer Eurorack UB1622FX-PRO Behringer Eurorack UB1832FX-PRO Carvin CX420 Carvin CX630 Carvin CX672 Carvin CX872 Carvin CX1272 Carvin CX1272R Carvin MX842 Carvin MX2488 Fender MA8S Powered Mixer FBT Pickup 6 FBT Pickup 8 FBT Pickup 14 Heil HM 1200 series InterM LM-9212 InterM MX-1242A InterM MX-1243 InterM MX-642 InterM SMX-812 JBL EON MusicMix 10 Kelsey Pro-club 16+2 Peavey Mark I Series 600 (1979) Peavey Mark I Series 900 (1979) Peavey Mark I Series 1200 (1979) Peavey RQ 200 Peavey Unity 1002-8 RQ Peavey Unity 2002-xx RQ Samson MDR6 Samson MDR8 Samson Mixpad 4 Samson Mixpad 9 Samson Mixpad 12 Soundcraft Spirit Folio Notepad Studiomaster 20 into 8 Tapco 6000 Tapco 6000R TOA M-1212E TOA M-1264 TOA M-243 TOA RX-31C Yamaha EM-100II Yamaha EM-150IIB Yamaha EM-200B Yamaha EM-300B Yamaha M508 Yamaha M512 Yamaha PM170 Yamaha PM180 Yamaha 01v 1/4" TRS single jack, TIP send, RING return: A&H CP12-PA (post-HPF, pre-EQ, pre-LED mono inputs, main L-R) A&H CP20-PA (post-HPF, pre-EQ, pre-LED mono inputs, main L-R) A&H GL2 (1993) (-2dB pre-EQ mono inputs 1-10, subs 1-4, main L-R. In Group/Aux reverse mode, Auxes 1-6 control the sub and mains inserts and output jacks. Mono sum and 2Trk outputs are post main L-R inserts.) A&H GL2-S (1995) (-2dB pre-EQ mono inputs 1-6, main L-R. 2Trk outputs are post main L-R inserts.) A&H GL2000 (0dB post-HPF, pre-EQ, pre-LED mono inputs, -2dB on 1-2 sub or aux, 3-4 sub or aux, Main L-R or 5-6 aux. No insert on Main Mono or stereo inputs) A&H GL2200 (0dB post-HPF, pre-EQ, pre-LED mono inputs, -2dB on outputs 1-6 Auxes -OR- 1-4 subgroups and main L-R. No insert on Main Mono or stereo inputs) A&H GL3 (1993) (0dB pre-EQ inputs, -2dB on outputs 1-6 aux -OR- 1-4 sub and Main L-R. No insert on Main Mono) A&H GL3000 (1996) (0dB post-HPF, pre-EQ, pre-LED inputs, -2dB on outputs 1-4 sub or aux, 5-8 sub or aux, Main L-R. No insert on Main Mono or Matrix A, B. Stereo inputs have 2 inserts each) A&H GL3300 (1998) (0dB post-HPF, pre-EQ, pre-LED inputs, -2dB on outputs 1-4 sub or aux, 5-8 sub or aux, Main L-R. No insert on Main Mono or Matrix A, B. Stereo inputs have 2 inserts each) A&H GL4 (1995) (0dB post-HPF, pre-EQ inputs, -2dB 1-8 subgroup -OR- 1-8 auxes, -2dB Main L-R -OR- 9-10auxes, -2dB Main Mono. No insert on matrix A, B) A&H MixWizard WZ12:2DX (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB main L-R) A&H MixWizard WZ16:2DX (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB main L-R) A&H MixWizard WZ16:2 (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB main L-R) A&H MixWizard WZ14:4:2 (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB main L-R) A&H MixWizard WZ14:4:2+ (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB 1-4 auxes OR 1-4 groups, 5-6 auxes OR L-R. No insert on Main mono.) A&H MixWizard WZ20:8:2 (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB main L-R) A&H MixWizard WZ20S (0dB pre-HPF, pre-EQ, pre-LED mono inputs, -2dB L-R mix1 and mix2) A&H ML3000 (0dB post-HPF, pre-EQ on inputs, -2dB 1-4 group OR 1-4 aux, 5-8 aux, 1-4 matrix, main L,C,R)(input PK LED senses several points including both pre- and post-insert) A&H Spectrum, -2dBu Ashly MX406 (all 6 mono inputs) Ashly MX508 (each input has two 1/4" jacks for unbalanced send/return. 'Send' can be used as TRS insert with Ring Return.) Behringer DDX3216 (analog inserts on mono inputs 1-12) Behringer Eurodesk MX2442 (inserts on all mono channels, subgroups, mains) Behringer Eurorack MX2642A (post-HPF, pre-EQ mono inputs 1-8, main L-R)(all direct and aux outs are post-insert) Behringer Eurodesk MX3282A (post-HPF, pre-EQ mono inputs 1-24, subgroups 1-8, main L-R)(all pre-EQ aux outs are post-insert) Behringer Eurorack MX3242X (post-Flip, pre-HPF, pre-EQ mono inputs 1-16, subgroups 1-4, main L-R (but not mix 'B' out))(all aux outs are post-insert/HPF/EQ) Behringer Eurodesk MX8000A (pre-HPF, pre-EQ mono inputs 1-24, subgroups 1-8, main L-R (but not mix 'B' out))(all pre-EQ direct and aux outs are post-insert) Behringer Eurodesk MX9000 (pre-HPF, pre-EQ mono inputs 1-24, subgroups 1-8, main L-R (but not mix 'B' out))(all direct and aux outs are post-insert/HPF/EQ) Behringer Eurorack UB2222FX-PRO (post-HPF, pre-EQ mono inputs 1-8) Behringer Eurorack UB2442FX-PRO (pre-HPF, pre-EQ mono inputs 1-8. All direct and aux outs are post-insert, post-HPF.) Biamp 1621, +4dB Biamp Cascade 12/342c (post-EQ, post-LED, pre-AUX on inputs) Biamp Cascade 16/342c (post-EQ, post-LED, pre-AUX on inputs) Biamp Columbia 24+/488 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Columbia 32+/488 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Columbia 40+/488 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Integrity Tri-Power^3 (post-EQ, post-LED, pre-AUX on inputs) Biamp Newport 16+/344 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Newport 24+/344 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Olympia 16+/464 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Olympia 20+/464 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Olympia 24+/464 (post-EQ, post-LED, pre-AUX on mono inputs, subgroups, mains and mono) Biamp Rackmax II (post-EQ, post-LED, pre-AUX on mono inputs) Carvin C800 (pre-HPF, pre-EQ, pre-Effects inserts on all inputs. Inserts do not affect pre-fade Mon 1 & 2) Carvin C1600 (pre-HPF, pre-EQ, pre-Effects inserts on all inputs. Inserts do not affect pre-fade Mon 1 & 2) Carvin C2400 (pre-HPF, pre-EQ, pre-Effects inserts on all inputs. Inserts do not affect pre-fade Mon 1 & 2) Carvin C2440 (pre-HPF, pre-EQ, pre-Aux inserts on all inputs. Aux 1 & 2 are switchable pre-insert or post-fader.) Carvin C3240 (pre-HPF, pre-EQ, pre-Aux inserts on all inputs. Aux 1 & 2 are switchable pre-insert or post-fader.) Carvin C844 (pre-HPF, pre-EQ, pre-LED, pre-Aux inserts on all inputs. All Auxes (Effects and Mons) are after the insert point.) Carvin C1644 (pre-HPF, pre-EQ, pre-LED, pre-Aux inserts on all inputs. All Auxes (Effects and Mons) are after the insert point.) Carvin C2444 (pre-HPF, pre-EQ, pre-LED, pre-Aux inserts on all inputs. All Auxes (Effects and Mons) are after the insert point.) Carvin C3244 (pre-HPF, pre-EQ, pre-LED, pre-Aux inserts on all inputs. All Auxes (Effects and Mons) are after the insert point.) Carvin S/L24 (pre-HPF, pre-EQ, pre-Aux on all inputs, subgroups 1-8, main L-R) Carvin S/L40 (pre-HPF, pre-EQ, pre-Aux on all inputs, subgroups 1-8, main L-R) Carvin S/L56 (pre-HPF, pre-EQ, pre-Aux on all inputs, subgroups 1-8, main L-R) Carvin SM162 (pre-EQ, pre-Effects inserts on all 8 mono inputs.) Crest Century GT (1993) Crest Century GTx (1995) (matrixes, mains: -2dB)(channels, groups: dual TRS, send unbalanced, return balanced +4dB) Crest SP (TRS UNBALANCED Ring Return matrixes, mains: -2dB)(channels, groups: dual TRS, send unbalanced, return BALANCED +4dB) Crest TC (TRS UNBALANCED Ring Return matrixes, mains: -2dB)(channels, groups: dual TRS, send unbalanced, return BALANCED +4dB) Crest XR-20 (2002) (mono channels, auxes, groups, mains) Crest XR-24 (mono channels, auxes, groups, mains) Crest XRM (X-rack -series) DDA CS12M (0dB post-HPF, post-EQ, pre-PFL, pre-LED inserts on mono and stereo inputs and all mixes) DDA CS3 (-2dB, post-EQ inserts on inputs, groups, auxes, masters) DDA CS8 (0dB post-HPF, post-EQ, pre-PFL, pre-LED inserts on mono inputs and all mixes) DDA Forum InterM CMX-842 (0dB all mono inputs) InterM CMX-1242 (0dB all mono inputs) InterM CMX-1642 (0dB all mono inputs) InterM CMX-1664 (0dB all mono inputs, groups 1-4, main L-R) InterM CMX-2464 (0dB all mono inputs, groups 1-4, main L-R) InterM CMX-1264 (0dB all mono inputs, groups 1-4, main L-R) InterM CMX-1668 (0dB post FLIP, pre-HPF, pre-EQ all mono inputs, groups 1-8, main L-R-Mono) InterM CMX-2468 (0dB post FLIP, pre-HPF, pre-EQ all mono inputs, groups 1-8, main L-R-Mono) InterM CMX-3268 (0dB post FLIP, pre-HPF, pre-EQ all mono inputs, groups 1-8, main L-R-Mono) InterM LM-9414 (0dB all mono inputs, bus 1-4, main L-R) InterM MX-1424 (0dB main L-R) InterM MX-1424EX (0dB main L-R) InterM MX-1824 (0dB main L-R) InterM MX-1824EX (0dB main L-R) InterM PX-1650 (0dB mono inputs 1-12, main L-R) InterM RMX-1426 (0dB PGM outputs 1-4) JBL EON MusicMix 14 (post-HPF, pre-EQ mono inputs 1-6, main L-R. Mono sums main L-R post-fader.) JBL EON MusicMix 16 (post-HPF, pre-EQ mono inputs 1-8, main L-R. Mono sums main L-R post-fader.) JBL EVO Mixer 16 (post-HPF, pre-EQ mono inputs 1-16, subgroup L-R, main L-R. Mono sums main L-R post-fader.) Mackie 1202 (inserts on first 4 inputs, 0dB) Mackie 1402 (inserts on first 6 inputs, 0dB) Mackie 1642-VLZ PRO (0dB inserts on first 8 inputs, mains) Mackie 1604-VLZ PRO (0dB inserts on all inputs, mains) Mackie CR-1604 (1991) (0dB inserts on first 8 inputs, mains) Mackie CR1604-VLZ (0dB inserts on all inputs, mains) Mackie CFX (0dB inserts on all inputs and mains) Mackie D8B (Digital 8-Bus) (0dB mono inputs 1-12) Mackie SR24-4 (1996) (inserts on all mono inputs, subgroups and mains, 0dB) Mackie SR32-4 (inserts on all mono inputs, subgroups and mains, 0dB) Mackie SR40*8 (1997) (0dB BALANCED DUAL TRS post-HPF, pre-EQ mono inputs 1-40 [pre-EQ auxes are also pre-insert], post-'Air' subgroups 1-8, main L-R-C. L&R Monitor and Headphone outputs have two UNBALANCED TRS Ring Return inserts useful for FOH position delay alignment.) Mackie SR56*8 (0dB BALANCED DUAL TRS post-HPF, pre-EQ mono inputs 1-56 [pre-EQ auxes are also pre-insert], post-'Air' subgroups 1-8, main L-R-C. L&R Monitor and Headphone outputs have two UNBALANCED TRS Ring Return inserts useful for FOH position delay alignment.) Midas Venice (2002) (post-HPF, pre-EQ inserts mono inputs [pre-EQ auxes and Direct Out are always post-insert], subgroups, main L-R) Nady CMX-16A (+4dB pre-EQ inserts on 1-8 mono channels) Peavey AAM 2443 (+4dB pre-HPF, pre-EQ first 20 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey AAM 3243 (+4dB pre-HPF, pre-EQ first 28 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey AMD 1220 (0dB pre-EQ all mono inputs) Peavey AMD 1620 (0dB pre-EQ all mono inputs) Peavey MD 8 (0dB pre-EQ all mono inputs) Peavey MD 12 (0dB pre-EQ all mono inputs) Peavey MD 16 (0dB pre-EQ all mono inputs) Peavey RQ 1606M (0dB first 8 inputs, all 6 monitor mixes) Peavey RQ 2310 (+4dB all 8 mono inputs) Peavey RQ 2314 (+4dB first 8 mono inputs) Peavey RQ 2318 (+4dB first 12 mono inputs) Peavey RQ 2326 (+4dB first 20 mono inputs) Peavey RQ 3014 (0dB pre-HPF, pre-EQ first 6 mono inputs, both subgroups) Peavey RQ 4324 ( TRS TIP SEND +4dB pre-HPF, pre-EQ first 20 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey RQ 4332 ( TRS TIP SEND +4dB pre-HPF, pre-EQ first 28 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey R6M 6x4 (all 6 inputs) Peavey RSM 4062 (first eight inputs, main L-R) Peavey SRC 1600 (0dB pre-EQ all inputs, 0dB DUAL UNBALANCED TS Send and Return jacks on Auxes A-F, subgroups 1-4, main L-R) Peavey SRC 2400 (0dB pre-EQ all inputs, 0dB DUAL UNBALANCED TS Send and Return jacks on Auxes A-F, subgroups 1-4, main L-R) Peavey SRC 6024 (0dB on all channels, subgroups, main L-R) Peavey SRC 6032 (0dB on all channels, subgroups, main L-R) Peavey SRC 4034 FC (+4dB pre-HPF pre-EQ all mono inputs, -2dB subgroups 1-4, main L-R) Peavey SRC 4026 FC (+4dB pre-HPF pre-EQ all mono inputs, -2dB subgroups 1-4, main L-R) Peavey SRC 4018 FC (+4dB pre-HPF pre-EQ all mono inputs, -2dB subgroups 1-4, main L-R) Peavey SRM 2410 (2001) (pre-EQ on input inserts, DUAL 0dB BALANCED TRS Send and Return jacks on outputs 1-8.) Phonic Impact II (post-HPF, post-EQ on all mono inputs) Phonic MM1002 (post-HPF, pre-EQ on both mono inputs) Phonic MM1202 (post-HPF, pre-EQ on all 4 mono inputs) Phonic MM1705 (post-HPF, pre-EQ on all 5 mono inputs) Phonic MM1805 (post-HPF, pre-EQ on all 6 mono inputs, both subgroups, pre-EQ, pre-2TrackRecord on main L-R) Phonic MR1843X (post-HPF, pre-EQ on all 8 mono inputs, 4 subgroups. Main L-R buses each have 2 insert points, one pre-REC, pre-Zone2, pre-EQ and the other pre-EQ. ) Phonic MR2443a (post-HPF, pre-EQ on 16 mono inputs, first 2 subgroups) Phonic MR2643X (post-HPF, pre-EQ on 10 mono inputs, first 2 subgroups) Phonic MR2643Xa (post-HPF, pre-EQ on 10 mono inputs, first 2 subgroups) Phonic MR3243 (jumper selectable pre- or post-HPF or EQ on 20 mono inputs, pre-EQ on 4 subgroups) Phonic MR4243 (jumper selectable pre- or post-HPF or EQ on 30 mono inputs, pre-EQ on 4 subgroups) Phonic MR4283 (TRS unbalanced inserts on 24 mono inputs, 8 subgroups, 2 matrix) Phonic MR4283D (TRS unbalanced inserts on 24 mono inputs, 8 subgroups, 2 matrix) Phonic MR7X (TRS unbalanced inserts on all 4 subgroups) Rane MM-12 [12x6 monitor/matrix mixer] (post-EQ on all 12 inputs) Soundcraft Digital 328 (post-HPF, pre-EQ, pre-LED, all 16 mono inputs plus expander unit which adds insert in/out switches) Soundcraft 324 Live (post-HPF, pre-EQ, pre-LED, all 16 mono inputs plus expander unit which adds insert in/out switches) Soundcraft Spirit Live (-2dB mono inputs, TRS RING SEND on main L-R) Soundcraft Spirit Live 2 Soundcraft Spirit Live 3-2 (-2dB post-HPF, pre-EQ mono inputs, main L-R-Mono)(pre-EQ auxes are always post-insert)(input PK LED senses several points including both pre- and post-insert) Soundcraft Spirit Live 4 (-2dB post-HPF, pre-EQ mono inputs, main L-R) Soundcraft Spirit Live 4 mk2 (post-HPF, pre-EQ mono inputs, subgroups, main L-R)(input PK LED senses several points including both pre- and post-insert) Soundcraft Spirit8 (1997) (0dB post-HPF, pre-EQ mono inputs, groups, main L-R)(input PK LED senses several points including both pre- and post-insert) Soundcraft Spirit LX7 (post-HPF, pre-EQ, pre-LED inserts on mono inputs, subgroups, main L-R) Soundcraft Spirit E (pre-EQ mono inputs, main L-R) Soundcraft Spirit ES (pre-EQ mono inputs, main L-R) Soundcraft Spirit Folio Soundcraft Spirit Folio 4 Soundcraft Spirit Folio F1, 0dB Soundcraft Spirit Folio FX16, 0dB Soundcraft Spirit Folio FX8, 0dB Soundcraft Spirit Folio Lite Soundcraft Spirit Folio Rac Pac (-2dB post-HPF, pre-EQ, pre-LED mono inputs, main L-R) Soundcraft Spirit Folio S1 Soundcraft Spirit Folio SX (0dB on mono inputs) Soundcraft Spirit M Series (post-HPF, pre-EQ mono inputs, pre-mono sum main L-R) Soundcraft Spirit Monitor (post-HPF, pre-EQ inputs, pre-HPF monitor mixes, wedge mix) Soundcraft Spirit Monitor2 (1998) (post-HPF, pre-EQ mono inputs, DUAL TRS JACKS post-HPF mono mixes, stereo mixes)(input PK LED senses several points including both pre- and post-insert) Soundtech ST1202 Soundtech ST1602 Soundtech ST2442 (post-HPF, pre-EQ mono inputs) Soundtech ST3242 (post-HPF, pre-EQ mono inputs, main L-R) Soundtracs (Topaz) 4-Bus 8:4 (post-EQ on mono channels) Soundtracs (Topaz) 4-Bus 12:4 (post-EQ on mono channels) Soundtracs (Topaz) 4-Bus 14:4 (post-EQ on mono channels) Soundtracs (Topaz) Project 8 (groups, mains, post-EQ on mono channels) Studiomaster MixDown Classic 8 (-2dBu pre-EQ inserts on all mono channels, subgroups, mains) Studiomaster Showmix 8-Bus (-2dBu pre-EQ inserts on all mono channels, subgroups, mains) Studiomaster Stagemaster SM32 (-2dBu pre-EQ inserts on all mono channels, mixgroups) Studiomaster Trilogy 140EX (-2dB [+18 max] post-HPF, post-EQ inserts on all mono channels) Studiomaster Trilogy 166 (-2dB [+18 max] post-HPF, post-EQ inserts on all mono channels, -2dB [+20 max] subgroups 1& 2 only , Main L&R) Studiomaster Trilogy 206 (-2dB [+18 max] post-HPF, post-EQ inserts on all mono channels, -2dB [+20 max] subgroups 1& 2 only , Main L&R) Studiomaster Trilogy 326 (-2dB [+18 max] post-HPF, post-EQ inserts on all mono channels, -2dB [+20 max] subgroups 1& 2 only , Main L&R) Studiomaster Trilogy 406 (-2dB [+18 max] post-HPF, post-EQ inserts on all mono channels, -2dB [+20 max] subgroups 1& 2 only , Main L&R) Tascam DM-24 (UNBALANCED TRS Ring Return on inputs 1-16, main L-R. Also four assignable BALANCED Dual TRS Sends/Returns can be used as inserts.) Tascam M-08 (-2dB post-EQ, pre-aux on mono inputs 1-4) Tascam SX-1 (+22dB max send, +7dB max receive hard-wired pre-A/D inserts on mono XLR inputs 1-16. Also, 8 software configurable inserts that can be routed to any input 1-32 or any submix, main mix or cue bus at any of several logical points in the digital processing. Each soft insert requires an existing mixer input and output to be re-assigned for insert duties.) Tascam TM-D1000 (-20dB (-4dB max!) UNBALANCED TRS Ring Return first 4 mono inputs. Four (optional 8) internal digital processing modules available as assignable 'inserts'.) Tascam TM-D4000 (-2dB pre-O/L LED mono inputs 1-8) Tapco 5208 (+4dB pre-EQ, pre-EFX, on mic/line inputs. Inserts on SUB L & SUB R. Channel Inserts do not affect pre-fader MONITOR sends.) Tapco 5212 (+4dB pre-EQ, pre-EFX, on mic/line inputs. Inserts on SUB L & SUB R. Channel Inserts do not affect pre-fader MONITOR sends.) Tapco 5208 Series II (+4dB pre-EQ, pre-EFX, on mic/line inputs. Inserts on SUB L & SUB R. Channel Inserts do not affect pre-fader MONITOR sends.) Tapco 5212 Series II (+4dB pre-EQ, pre-EFX, on mic/line inputs. Inserts on SUB L & SUB R. Channel Inserts do not affect pre-fader MONITOR sends.) Tapco 6100R (+4dB pre-EQ, pre-EFX, on first two mic/line inputs. Channel Inserts do not affect pre-fader MONITOR sends.) Tapco 6100E (+4dB pre-EQ, pre-EFX, on first two mic/line inputs. Channel Inserts do not affect pre-fader MONITOR sends.) Yamaha 02R v.2 (inserts only on channels 1-8) Yamaha 03d (inserts only on channels 1 & 2) Yamaha EMX2000 (0dB post-EQ first four mono inputs) Yamaha EMX5000-12 (0dB 8 mono inputs) Yamaha EMX5000-20 (0dB 16 mono inputs) Yamaha GA24/12 (0dB post-HPF, EQ, peak light on mono inputs, Pre-EQ on first four aux/groups, stereo mains) Yamaha GA32/12 (0dB post-HPF, EQ, peak light on mono inputs, Pre-EQ on first four aux/groups, stereo mains) Yamaha GF12/12 (0dB, post-HPF, post-EQ mono inputs, mains) Yamaha GF16/12 (0dB, post-HPF, post-EQ mono inputs, mains) Yamaha GF24/12 (0dB, post-HPF, post-EQ mono inputs, mains) Yamaha M2000 (0dB mono inputs, groups, main L-R-mono) Yamaha M2500 (0dB, post-HPF, post-EQ, pre-LED mono inputs, groups, auxes, main L-R-Mono) Yamaha M3000 (0dB, post-HPF, post-EQ, pre-LED mono inputs, stereo L-R, mixes 1-16) Yamaha M3000A (0dB, post-HPF, post-EQ, pre-LED mono inputs, stereo L-R, mixes 1-16) Yamaha MC802 (-6dB pre-EQ inputs) Yamaha MC1202 (-6dB pre-EQ inputs) Yamaha MC1602 (-6dB pre-EQ inputs) Yamaha MC1204 (-10dB pre-EQ inputs, groups) Yamaha MC1604 (-10dB pre-EQ inputs, groups) Yamaha MC2404 (-10dB pre-EQ inputs, groups) Yamaha MC1204II (0dB pre-EQ inputs, groups, main L-R) Yamaha MC1604II (0dB pre-EQ inputs, groups, main L-R) Yamaha MC2404II (0dB pre-EQ inputs, groups, main L-R) Yamaha MC3204II (0dB pre-EQ inputs, groups, main L-R) Yamaha MC1608M (-10dB pre-EQ inputs, groups) Yamaha MC2408M (-10dB pre-EQ inputs, groups) Yamaha MC2410M (-10dB pre-EQ inputs, groups) Yamaha MC3210M (-10dB pre-EQ inputs, groups) Yamaha MG10/2 (0dB inputs 1-2) Yamaha MG12/4 (0dB inputs 1-4) Yamaha MG16/4 (0dB inputs 1-8) Yamaha MG16/6FX (0dB inputs 1-8) Yamaha MG24/14FX (0dB inputs 1-16, groups 1-4, main L-R) Yamaha MG32/14FX (0dB inputs 1-24, groups 1-4, main L-R) Yamaha MX12/4 (0dB post-EQ, post-LED, pre-Aux mono inputs 1-4 only) Yamaha MX12/6 (0dB post-EQ, post-LED, pre-Aux mono inputs 1-4 only) Yamaha MX20/6 (0dB post-EQ, post-LED, pre-Aux mono inputs 1-8 only) Yamaha MX200 (0dB post-HPF, post-EQ, post-LED, pre-Aux mono inputs) Yamaha MX400 (0dB post-HPF, post-EQ, pre-LED mono inputs, groups, main L-R) Yamaha PM1200 (0dB jumpered pre- or post-HPF/EQ [Auxes can be jumpered pre-insert] on mono channels, groups 1-4, auxes 1-4, main L-R) 1/4" TRS single jack, RING send, TIP return: ART 2408 Phantom ( pre-EQ, pre-MONITOR, pre-AUX inserts on mono mic/line inputs 1-16) A&H (AHB) 621 (pre-EQ inputs) A&H (AHB) 1221 (pre-EQ inputs) A&H (AHB) 1821 (pre-EQ inputs) A&H (AHB) 2421 (pre-EQ inputs) A&H Saber A&H (AHB) SR8 (pre-EQ inputs, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR12 (pre-EQ inputs, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR16 (pre-EQ inputs, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR20 (pre-EQ inputs, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR24 (pre-EQ inputs, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR28 (pre-EQ inputs, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR416 (pre-EQ inputs, 1-4 subgroups, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H (AHB) SR424 (pre-EQ inputs, 1-4 subgroups, Main L-R)(input PK LED senses several points including both pre- and post-insert) A&H SC+842 (pre-HPF, pre-EQ mono inputs, 1-4 subgroups, Main L-R)(input PK LED post-insert. Output PK LED pre-insert) A&H SC+416 (pre-HPF, pre-EQ mono inputs, 1-4 subgroups, Main L-R)(input PK LED post-insert. Output PK LED pre-insert) A&H SC+424 (pre-HPF, pre-EQ mono inputs, 1-4 subgroups, Main L-R)(input PK LED post-insert. Output PK LED pre-insert) A&H SC+432 (pre-HPF, pre-EQ mono inputs, 1-4 subgroups, Main L-R)(input PK LED post-insert. Output PK LED pre-insert) Hill Datum Mackie Ultra-34 Automation patch bay, 0dB Midas PRO 4 (Main mix inserts) (Note: many have been modified by end users to be Tip Send.) Panasonic DA7 mkII, all inputs, optional output card, 0dB Peavey AAM 2443 ( TRS TIP SEND +4dB pre-HPF, pre-EQ first 20 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey AAM 3243 ( TRS TIP SEND +4dB pre-HPF, pre-EQ first 28 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey RQ 4324 ( TRS TIP SEND +4dB pre-HPF, pre-EQ first 20 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey RQ 4332 ( TRS TIP SEND +4dB pre-HPF, pre-EQ first 28 mono inputs, main L-R & mono, TRS TIP RETURN subgroups) Peavey RSM 1662 (0dB pre-EQ, pre-Aux on all 16 inputs.) Ramsa WR-S4412 (-2dB, pre-EQ, post-LED on inputs, groups and masters) Ramsa WR-S4416 (-2dB, pre-EQ, post-LED on inputs, groups and masters) Ramsa WR-S4424 (-2dB, pre-EQ, post-LED on inputs, groups and masters) Samson MPL 1204 (+4dB post-EQ all 12 inputs, groups 1-4) Samson PL 1602 (pre-EQ first 6 inputs, main L-R) Soundcraft 200 Delta (1990) (-2dB post-HPF, post-EQ, post-LED mono inputs, -8dB groups, main L-R) Soundcraft 200SR (post-HPF, post-EQ mono [Some input modules auxes 1&2 and/or 3&4 can be jumpered pre-insert] and stereo inputs, 4 subgroups, main L-R) Soundcraft 6000 (-2dB post-HPF, post-EQ mono inputs [auxes 1&2 can be jumpered pre-insert], 24 subgroups, main L-R) Soundcraft Delta 8 (-2dB post-HPF, jumpered pre- or post-EQ and LED mono inputs, groups, main L-R) Soundcraft Delta DLX (mono inputs, 4 subgroups, main L-R) Soundcraft Delta Monitor (-2dB post-HPF, post-EQ mono inputs, pre-Notch groups, stereo L-R, mono wedge) Soundcraft Delta Theatre (-2dB post-HPF, jumpered pre- or post-EQ mono inputs [auxes and direct out can be jumpered pre- or post-insert], groups, pre-mono sum on main L-R) Soundcraft Series 1S (post-HPF, pre-EQ inputs and outputs) Soundcraft Series 200B (-6dB post-HPF, post-EQ, post-LED mono and optional stereo inputs, main L-R) Soundcraft Series 200BVE (-6dB post-HPF, post-EQ, post-LED mono and optional stereo inputs, main L-R) Soundcraft Series 400B (inserts on inputs and outputs) Soundcraft Series 500 (-6dB inputs, subgroups, main L-R) Soundcraft Series 500 Monitor (-2dB inputs, DUAL TRS monitor mixes, main mix) Soundcraft Series 600 (-6dB inputs, subgroups, main L-R) Soundcraft Series TWO (0dB post-HPF, pre-EQ mono inputs, groups, main L-R-Mono)(input PK LED senses several points including both pre- and post-insert) Soundcraft Spirit Live (-2dB main L-R, TRS TIP SEND mono inputs) Soundcraft K1 (-2dB post-HPF, pre-EQ mono inputs, groups, main L-R) Soundcraft K2 (1997) (-2dB post-HPF, post-LED, pre-EQ mono and stereo inputs, groups, main L-R-mono) Soundcraft Venue (-2dB post-HPF, jumpered pre- or post-EQ, pre-Aux mono inputs, post-EQ on dual Group/EQ modules, pre-fader on Group/Return modules, main L-R) Soundcraft Venue Theatre (-2dB post-HPF, jumpered pre- or post-EQ on mono inputs, post-EQ subgroups, pre-mono sum on main L-R)(If auxes 1-4 are jumpered for pre-EQ then they are post 'pre-EQ' insert.) Soundcraft Venue II (-2dB post-HPF, jumpered pre- or post-EQ on mono inputs, post-EQ subgroups, pre-mono sum on main L-R)(If auxes 1&2 are jumpered for pre-EQ then they are post 'pre-EQ' insert.) Soundtracs M Soundtracs MCX series, +4dB Soundtracs Megas Soundtracs MX series, +4dB Soundtracs Solo Soundtracs (Topaz) MXD (groups, mains; post HPF, pre-EQ on mono inputs) Soundtracs (Topaz) RX-8 (groups, mains; post-HPF, post-EQ on mono channels)(brochure says pre-EQ, diagram shows post-EQ) Tapco 6100 (+4dB first two mic/line inputs.) Tapco 6200 (+4dB post-EQ, post-EFX on mic/line inputs.) Tapco 6200A (+4dB post-EQ, post-EFX on mic/line inputs.) Tapco 6200B (+4dB post-EQ, post-EFX on mic/line inputs.) TOA RX-208 (0dB pre-EQ, pre-Aux (FB) on all inputs) TOA RX-212 (0dB pre-EQ, pre-Aux (FB) on all inputs) TOA RX-216 (0dB pre-EQ, pre-Aux (FB) on all inputs) Yamaha 01V96 (+4dB on analog inputs 1-12) Yamaha MR842 (-6dB pre-EQ, pre-LED inputs, groups) Yamaha MR1242 (-6dB pre-EQ, pre-LED inputs, groups) Yamaha MR1642 (-6dB pre-EQ, pre-LED inputs, groups) 1/4" TRS dual jacks, BALANCED send & return: A&H GL4000 (1997) (0dB post-HPF, pre-EQ, pre-LED mono inputs, -2dB 1-8 subgroups,1-4 auxes, 5-8 auxes OR matrixes, 9-10 auxes OR L2-R2, main L-R-Mono. Stereo input insert for mono XLR only) A&H
ML4000 (0dB post-HPF, pre-EQ mono inputs, -2dB 1-8 subgroups OR 1-8
auxes, 9-12 auxes, main L-R-C)(input PK LED senses several points
including both pre- and post-insert) A&H ML5000
(2001) (0dB post-HPF, pre-EQ mono inputs, -2dB 1-8 subgroups OR 1-8
auxes, 9-12 auxes, matrixes, main L-R-C)(input PK LED senses several
points including both pre- and post-insert) Crest LM (models before 1996) (+4dB channel inserts balanced TRS, L & R inserts are XLR +4dB) Crest LM (models from 1996 onward) (+4dB inputs, mains) Crest Century LMx (groups, masters: +4dB)(channels are dual TRS unbalanced send) Crest Century Vx (groups, masters: send -2dB, return +4dB)(channels are dual TRS unbalanced send) Crest V12 (1999) (send & return +4dB) DDA Q-II (1994) (inserts on channels and mixes)(channels are internally jumpered for pre- or post-EQ selection) Mackie
SR40*8 (1997) (0dB BALANCED DUAL TRS post-HPF, pre-EQ mono inputs 1-40
[pre-EQ auxes are also pre-insert], post-'Air' subgroups 1-8, main
L-R-C. L&R Monitor and Headphone outputs have two UNBALANCED TRS
Ring Return inserts useful for FOH position delay alignment.) Mackie SR56*8 (0dB BALANCED DUAL TRS post-HPF, pre-EQ mono inputs 1-56 [pre-EQ auxes are also pre-insert], post-'Air' subgroups 1-8, main L-R-C. L&R Monitor and Headphone outputs have two UNBALANCED TRS Ring Return inserts useful for FOH position delay alignment.) Midas Heritage 1000 (2000) (0dB post-HPF, switchable pre- or post-EQ all inputs[pre-EQ auxes and Direct Out can be jumpered pre-insert], group injects, aux injects, subgroups, auxes, mains, matrix) Midas Heritage 2000 (0dB inserts on all channels, subgroups, auxes, mains, matrix) Midas Heritage 3000 (0dB post-HPF, switchable pre- or post-EQ, pre- or post-LED bargraph inserts on all channels, subgroups, mains, matrix, locals) Midas XL200 (1996) (0dB inserts on all channels, subgroups, mains, matrix) Midas XL250 (1998) (0dB inserts on all channels, subgroups, auxes, mains) Peavey SRM 2410 (UNBALANCED TRS Tip Send pre-EQ on input inserts, DUAL 0dB BALANCED TRS Send and Return jacks on outputs 1-8.) Soundcraft Broadway (1998)(all 40/80/120/160 inputs, all 40 output buses including 32 Grauxes, mains & cue.) Soundcraft Europa (1992) (+4dB post-LPF, HPF and NoiseGate, jumpered pre- or post-EQ on mono inputs, groups) Soundcraft K3 (1996) ( -2dB ground-compensated [+4dB balanced optional] post-HPF, jumpered pre- or post-EQ mono inputs, group/auxes, main L-R-mono) Soundcraft K3 Theatre ( -2dB ground-compensated [+4dB balanced optional] post-HPF, jumpered pre- or post-EQ mono inputs, group/auxes, main L-R-mono) Soundcraft MH4 (2002) (0dB post-LED, post-HPF, default jumper=pre-EQ mono and stereo inputs, 1-8 auxes, 9-16 auxes OR 1-8 groups, matrixes, primary L-R-C) Soundcraft Series 500 Monitor (monitor mixes, main mono, -2dB UNBALANCED TRS RING SEND on inputs) Soundcraft Series FOUR (2001) (+4dB post-HPF, default jumper=pre-EQ mono and stereo inputs, groups, auxes, matrixes, primary L-R-Mono)(input PK LED senses several points including both pre- and post-insert) Soundcraft Series FIVE (1998) (+4dB Send, -4dB Return post-LED, post-HPF/LPF, default jumper=pre-EQ mono and stereo inputs, groups, auxes, matrixes, primary L-R-Mono) Soundcraft Series FIVE Monitor (+4dB Send, -4dB Return post-LED, post-HPF/LPF, jumpered pre- or post-EQ mono and stereo inputs [direct outs and/or mixes can be jumpered pre-insert][stereo inserts are separate, not summed] , groups, matrixes, main L-R, wedge L-R) Soundcraft SM12 (+4dB post-HPF, jumpered pre- or post-EQ mono inputs, switchable ON/OFF on mono and stereo mixes)(input PK LED senses several points including both pre- and post-insert) Soundcraft SM16 (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, +4dB electronically balanced, switchable ON/OFF on mono and stereo mixes)(input PK LED senses several points including both pre- and post-insert) Soundcraft SM20 (-2dB [ground-compensated sends][+4dB E-bal optional] post-HPF, jumpered pre- or post-EQ mono inputs, +4dB group outputs)(input PK LED senses several points including both pre- and post-insert) Soundcraft SM24 (1995) (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, +4dB mono and stereo groups, main L-R)(input PK LED senses several points including both pre- and post-insert) Soundcraft Vienna (1993) (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, groups, +4dB main L-R-Mono)(input PK LED senses several points including both pre- and post-insert) Soundcraft Vienna II (1994) (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, groups, +4dB main L-R-Mono)(input PK LED senses several points including both pre- and post-insert) Tascam DM-24 (UNBALANCED TRS Ring Return on inputs 1-16, main L-R. Also four assignable BALANCED Dual TRS Sends/Returns can be used as inserts.) Yamaha DM2000 (24 analog A/B inputs have a set of permanent +4dBu BALANCED TRS DUAL inserts pre-A/D. Additionally, any input or mix output can be assigned inserts. Each insert is soft patched and uses up two hardware jacks that would otherwise be available for normal input and output. Insert points are selectable pre- or post- EQ, Comp, Delay, 'ON' and Fader. Inserts are switchable ON/OFF once assigned. Inserts can be analog or digital depending on the inserted device and the I/O module used.) Yamaha PM2000 (1978) (+4dB on all inputs, PGM 1-8, FB 1-4, Echo 1,2) Yamaha PM3500 (1995), PM3500M (+4dB post-HPF, jumpered pre- or post-EQ on inputs [stereo inserts are separate, not summed][sends to auxes can be jumpered pre-insert], auxes, pre-matrix on groups, main L-R) Yamaha PM3500M (+4dB post-HPF, jumpered pre- or post-EQ on inputs [stereo inserts are separate, not summed][sends to auxes can be jumpered pre-insert], auxes, pre-matrix on groups, main L-R) Yamaha PM4000 (1993) (+4dB, switchable pre- or post-EQ on inputs, groups, aux, matrix, stereo and aux stereo) Yamaha PM4000M (1994) (+4dB, switchable pre- or post-EQ on inputs, groups, aux, matrix, stereo and aux stereo) Yamaha PM5000 (2003) (+4dB, switchable pre- or post-EQ on all inputs, stereo aux 1-12, group/aux 1-8, stereo matrix 1-4, mono matrix 1-8, Main LCR) Bantam TT jacks, BALANCED send & return: Crest/Gamble EX (1990) (inputs UNBALANCED send and return, subgroups unbalanced send, BALANCED return) McCune MC9 (circa 1980's) (all inputs and mixes) Midas XL2 (0dB inserts on all channels, subgroups, mains, auxes) Midas XL3 (1993) (0dB inserts on all channels, subgroups, mains, matrix) Midas XL4 (1995) (0dB, switchable pre- and post-EQ on all channels, subgroups, mains, matrix) Midas XL4 Automation (0dB inserts on all channels, subgroups, mains, matrix) 1/4" dual jacks, UNBALANCED send & BALANCED return: [Unbalanced send usually TRS with both ring and sleeve tied to some ground] Crest Century GTx (channels, groups: send -2dB, return +4dB) (matrixes, mains are single unbal TRS, tip send) Crest Century LMx (1997) (channels: send -2dB, return +4dB)(groups, masters are dual balanced TRS) Crest Century Vx (1996) (channels: send -2dB, return +4dB)(groups, masters are dual balanced TRS) Crest SP (-2dB TRS UNBALANCED Ring Return matrixes, mains.)(+4dB dual TRS, send unbalanced, return BALANCED inputs, groups.) Crest TC (-2dB TRS UNBALANCED Ring Return matrixes, mains.)(+4dB dual TRS, send unbalanced, return BALANCED inputs, groups.) Crest X-Eight (1998) (post-HPF, pre-EQ on mono inputs, auxes, groups, mains: send -2dB, return +4dB) Crest X-Four (post-HPF, pre-EQ on mono inputs, auxes, groups, mains: send -2dB, return +4dB) Crest X-Matrix (12x2 matrix, 1U) (Inserts on outputs A&B. Send -2dB ground-compensated, return +4dB E-Bal.) Crest X-Monitor (send -2dB, return +4dB) Crest X-VCA (2001) (send -2dB, return +4dB) Soundcraft Spirit Monitor II (post-HPF mono mixes, stereo mixes, SINGLE TRS JACK TIP SEND post-HPF, pre-EQ mono inputs)(input PK LED senses several points including both pre- and post-insert) Yamaha PM3000 (1986) (Unbalanced send is TS -- Ring NC) (+4dB jumpered pre- or post-EQ, -HPF and -LED [shipped pre-EQ] all inputs, -6dB subgroups, auxes and stereo bus) 1/4" TS dual jacks, UNBALANCED send & return: AMEK 501 AMEK Recall AMEK Recall RN (1999) Ashly MX508 (each input has two 1/4" jacks for unbalanced send/return. 'Send' can be used as TRS insert with Ring Return.) Biamp 1642 (0dB, TRS jack 'ring is not used' 16 mono inputs, 4 subs, main L-R) Biamp 2442 (0dB, TRS jack 'ring is not used' 24 mono inputs, 4 subs, main L-R) DDA Arena (inserts on inputs, subgroups, L&R main and matrixes) DDA Arena VCA (inserts on inputs, subgroups, L&R main and matrixes) DDA Q-Series (1989) (inserts on channels and mixes)(channels are internally jumpered for pre- or post-EQ selection) DDA Q-Mute (inserts on channels and mixes)(channels are internally jumpered for pre- or post-EQ selection) Hill Concept 400 (pre-EQ inserts on inputs, recording subgroups, matrix subgroups, main L-R) Hill B3 (+4dB pre-EQ inserts on inputs, subgroups, main L-R) Peavey AM4 Automixer (+4dBu post-VCA all 4 inputs) Peavey Mark II [MR-7, MC-8, MC-12, MC-16, MC-24] (all inputs) Peavey Mark III (channel inserts, 2 sets per channel, both pre- and post-EQ) Peavey Mark IV (0dB channel inserts, 2 sets per channel, both pre- and post-EQ. All four subgroups have switched send jacks but can be returned to only 2 SUM return jacks. SUM (main mono out) has 0dB dual TS inserts.) Peavey Mark IV Monitor (0dB pre-EQ all 16 channel inserts, all 8 Monitor mixes.) Peavey Mark VIII (channel inserts, 2 sets per channel, both pre- and post-EQ) Peavey SRC 1600 (0dB SINGLE TRS jack Tip Send pre-EQ all inputs, 0dB DUAL UNBALANCED TS Send and Return jacks on Auxes A-F, subgroups 1-4, main L-R) Peavey SRC 2400 (0dB SINGLE TRS jack Tip Send pre-EQ all inputs, 0dB DUAL UNBALANCED TS Send and Return jacks on Auxes A-F, subgroups 1-4, main L-R) Peavey XR 1600F (No input inserts. 0dB pre-EQ, pre-amplifier dual jacks on Left, Right and Monitor outputs.) Ramsa WR-S852 Soundcraft 8000 (1987) (-2dB [TRS unbalanced jacks] post-HPF, post-EQ mono inputs, auxes, groups, main L-R) Soundcraft Series 800 Soundcraft Series 800B (post-HPF, post-EQ on inputs, subgroups, main L-R) TAC Scorpion (inserts on inputs and outputs) TAC SR9000 Amek/TAC SR6000 (1993) TAC SR6500 Tapco EV Panjo 7200 (-3dBu post-EQ channel inserts only) Tapco EV Panjo 7400 (-3dBu post-EQ channel inserts, 0dBu subgroup) TOA CX-124 (-10dB pre-EQ mono inputs 1-12.)(pre-EQ auxes are post insert.) TOA CX-164 (-10dB pre-EQ mono inputs 1-16.)(pre-EQ auxes are post insert.) TOA RX-7-xxx (+4dB pre-EQ/HPF inputs, groups) Yamaha PM1000 (1974) (-20dB Masters 1-4)(TRS jacks are mounted, Ring tied to Sleeve) Yamaha PM1800 (-6dB pre-HPF/EQ mono inputs, groups 1-8, auxes 1-6. Channel sends to auxes can be jumpered pre-EQ but are always post-insert.) XLR dual jacks, balanced, pin 2 hot: Crest LM (models before 1996) (+4dB channel inserts balanced TRS, L & R inserts are XLR +4dB) Yamaha PM1D (2001) (Any input or mix output can be assigned inserts. Each insert is soft patched and uses up two hardware jacks that would otherwise be available for normal input and output. Insert points are selectable pre- or post- EQ, Comp, Delay, 'ON' and Fader. Inserts are switchable ON/OFF once assigned. Inserts can be analog or digital depending on the inserted device and the I/O module used.) Yamaha DM2000 (24 analog A/B inputs have a set of permanent +4dBu BALANCED TRS DUAL inserts pre-A/D. Additionally, any input or mix output can be assigned inserts. Each insert is soft patched and uses up two hardware jacks that would otherwise be available for normal input and output. Insert points are selectable pre- or post- EQ, Comp, Delay, 'ON' and Fader. Inserts are switchable ON/OFF once assigned. Inserts can be analog or digital depending on the inserted device and the I/O module used.) RCA dual jacks, unbalanced: TOA D-4 (-10dB internally switchable pre- and post-EQ inputs 1-4, main L-R and mono SUM.)(pre-EQ auxes are post 'pre' insert.) TOA D-4E (-10dB internally switchable pre- and post-EQ all 6 inputs (labeled 5-10))(pre-EQ auxes are post 'pre' insert.) TOA D-5.5 (-10dB both pre-EQ and post-fader patch points are available on inputs 1-8, both pre- and post-fader patch points on groups 1-4, main L-R and mono SUM.)(pre-EQ auxes are post 'pre' insert.) TOA D-5.5E (-10dB both pre-EQ and post-fader patch points are available on all 12 inputs (labeled 9-20))(pre-EQ auxes are post 'pre' insert.)
|