Ukslc.org Articles Sound Mixer Insert List
Mixer Insert List Print E-mail
Saturday, 07 May 2005 21:13
Article Index
Mixer Insert List
1/4inch TRS single jack, TIP send, RING return
1/4inch TRS single jack, RING send, TIP return
1/4inch TRS dual jacks, BALANCED send and return
Bantam TT jacks, BALANCED send and return
1/4inch dual jacks, UNBALANCED send and BALANCED return
1/4inch TS dual jacks, UNBALANCED send and return
XLR dual jacks, balanced, pin 2 hot
RCA dual jacks, unbalanced
All Pages
1/4" TRS dual jacks, BALANCED send & return:


A&H GL4000 (1997) (0dB post-HPF, pre-EQ, pre-LED mono inputs, -2dB 1-8 subgroups,1-4 auxes, 5-8 auxes OR matrixes, 9-10 auxes OR L2-R2, main L-R-Mono. Stereo input insert for mono XLR only)

A&H ML4000 (0dB post-HPF, pre-EQ mono inputs, -2dB 1-8 subgroups OR 1-8 auxes, 9-12 auxes, main L-R-C)(input PK LED senses several points including both pre- and post-insert)


A&H ML5000 (2001) (0dB post-HPF, pre-EQ mono inputs, -2dB 1-8 subgroups OR 1-8 auxes, 9-12 auxes, matrixes, main L-R-C)(input PK LED senses several points including both pre- and post-insert)


Crest LM (models before 1996) (+4dB channel inserts balanced TRS, L & R inserts are XLR +4dB)


Crest LM (models from 1996 onward) (+4dB inputs, mains)


Crest Century LMx (groups, masters: +4dB)(channels are dual TRS unbalanced send)


Crest Century Vx (groups, masters: send -2dB, return +4dB)(channels are dual TRS unbalanced send)


Crest V12 (1999) (send & return +4dB)


DDA Q-II (1994) (inserts on channels and mixes)(channels are internally jumpered for pre- or post-EQ selection)


Mackie SR40*8 (1997) (0dB BALANCED DUAL TRS post-HPF, pre-EQ mono inputs 1-40 [pre-EQ auxes are also pre-insert], post-'Air' subgroups 1-8, main L-R-C. L&R Monitor and Headphone outputs have two UNBALANCED TRS Ring Return inserts useful for FOH position delay alignment.)

Mackie SR56*8 (0dB BALANCED DUAL TRS post-HPF, pre-EQ mono inputs 1-56 [pre-EQ auxes are also pre-insert], post-'Air' subgroups 1-8, main L-R-C. L&R Monitor and Headphone outputs have two UNBALANCED TRS Ring Return inserts useful for FOH position delay alignment.)

Midas Heritage 1000 (2000) (0dB post-HPF, switchable pre- or post-EQ all inputs[pre-EQ auxes and Direct Out can be jumpered pre-insert], group injects, aux injects, subgroups, auxes, mains, matrix)

Midas Heritage 2000 (0dB inserts on all channels, subgroups, auxes, mains, matrix)

Midas Heritage 3000 (0dB post-HPF, switchable pre- or post-EQ, pre- or post-LED bargraph inserts on all channels, subgroups, mains, matrix, locals)

Midas XL200 (1996) (0dB inserts on all channels, subgroups, mains, matrix)

Midas XL250 (1998) (0dB inserts on all channels, subgroups, auxes, mains)

Peavey SRM 2410 (UNBALANCED TRS Tip Send pre-EQ on input inserts, DUAL 0dB BALANCED TRS Send and Return jacks on outputs 1-8.)

Soundcraft Broadway (1998)(all 40/80/120/160 inputs, all 40 output buses including 32 Grauxes, mains & cue.)

Soundcraft Europa (1992) (+4dB post-LPF, HPF and NoiseGate, jumpered pre- or post-EQ on mono inputs, groups)

Soundcraft K3 (1996) ( -2dB ground-compensated [+4dB balanced optional] post-HPF, jumpered pre- or post-EQ mono inputs, group/auxes, main L-R-mono)

Soundcraft K3 Theatre ( -2dB ground-compensated [+4dB balanced optional] post-HPF, jumpered pre- or post-EQ mono inputs, group/auxes, main L-R-mono)

Soundcraft MH4 (2002) (0dB post-LED, post-HPF, default jumper=pre-EQ mono and stereo inputs, 1-8 auxes, 9-16 auxes OR 1-8 groups, matrixes, primary L-R-C)

Soundcraft Series 500 Monitor (monitor mixes, main mono, -2dB UNBALANCED TRS RING SEND on inputs)

Soundcraft Series FOUR (2001) (+4dB post-HPF, default jumper=pre-EQ mono and stereo inputs, groups, auxes, matrixes, primary L-R-Mono)(input PK LED senses several points including both pre- and post-insert)

Soundcraft Series FIVE (1998) (+4dB Send, -4dB Return post-LED, post-HPF/LPF, default jumper=pre-EQ mono and stereo inputs, groups, auxes, matrixes, primary L-R-Mono)

Soundcraft Series FIVE Monitor (+4dB Send, -4dB Return post-LED, post-HPF/LPF, jumpered pre- or post-EQ mono and stereo inputs [direct outs and/or mixes can be jumpered pre-insert][stereo inserts are separate, not summed] , groups, matrixes, main L-R, wedge L-R)

Soundcraft SM12 (+4dB post-HPF, jumpered pre- or post-EQ mono inputs, switchable ON/OFF on mono and stereo mixes)(input PK LED senses several points including both pre- and post-insert)

Soundcraft SM16 (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, +4dB electronically balanced, switchable ON/OFF on mono and stereo mixes)(input PK LED senses several points including both pre- and post-insert)

Soundcraft SM20 (-2dB [ground-compensated sends][+4dB E-bal optional] post-HPF, jumpered pre- or post-EQ mono inputs, +4dB group outputs)(input PK LED senses several points including both pre- and post-insert)

Soundcraft SM24 (1995) (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, +4dB mono and stereo groups, main L-R)(input PK LED senses several points including both pre- and post-insert)

Soundcraft Vienna (1993) (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, groups, +4dB main L-R-Mono)(input PK LED senses several points including both pre- and post-insert)

Soundcraft Vienna II (1994) (-2dB [ground-compensated sends] post-HPF, jumpered pre- or post-EQ mono inputs, groups, +4dB main L-R-Mono)(input PK LED senses several points including both pre- and post-insert)

Tascam DM-24 (UNBALANCED TRS Ring Return on inputs 1-16, main L-R. Also four assignable BALANCED Dual TRS Sends/Returns can be used as inserts.)

Yamaha DM2000 (24 analog A/B inputs have a set of permanent +4dBu BALANCED TRS DUAL inserts pre-A/D. Additionally, any input or mix output can be assigned inserts. Each insert is soft patched and uses up two hardware jacks that would otherwise be available for normal input and output. Insert points are selectable pre- or post- EQ, Comp, Delay, 'ON' and Fader. Inserts are switchable ON/OFF once assigned. Inserts can be analog or digital depending on the inserted device and the I/O module used.)

Yamaha PM2000 (1978) (+4dB on all inputs, PGM 1-8, FB 1-4, Echo 1,2)

Yamaha PM3500 (1995), PM3500M (+4dB post-HPF, jumpered pre- or post-EQ on inputs [stereo inserts are separate, not summed][sends to auxes can be jumpered pre-insert], auxes, pre-matrix on groups, main L-R)

Yamaha PM3500M (+4dB post-HPF, jumpered pre- or post-EQ on inputs [stereo inserts are separate, not summed][sends to auxes can be jumpered pre-insert], auxes, pre-matrix on groups, main L-R)

Yamaha PM4000 (1993) (+4dB, switchable pre- or post-EQ on inputs, groups, aux, matrix, stereo and aux stereo)

Yamaha PM4000M (1994) (+4dB, switchable pre- or post-EQ on inputs, groups, aux, matrix, stereo and aux stereo)

Yamaha PM5000 (2003) (+4dB, switchable pre- or post-EQ on all inputs, stereo aux 1-12, group/aux 1-8, stereo matrix 1-4, mono matrix 1-8, Main LCR)